Station Eleven connects to social justice concepts such as gender equality, human rights, and world religion .Say no to plagiarism. Get a tailor-made essay on “Why violent video games should not be banned”? Get an original essay Examples of the connection between Station Eleven and gender equality can be seen in many ways: those who identify as men are often the aggressors in conflicts with those who identify as women. This is seen between Miranda, Arthur Leander's first wife, and her boyfriend Pablo. Pablo is a struggling artist who is jealous of how Miranda can create better art in the form of the graphic novel Station Eleven and how she keeps work that she seems to enjoy. This leads him to brood around the apartment, not caring enough about Miranda to even attempt to find a job to pay for the apartment they're supposed to rent together. In addition, his paintings do not sell and he therefore does not bring any income to the company. Pablo doesn't like Miranda's graphic novel, the art project she devotes most of her time and effort to. He even goes so far as to accuse her of infidelity with her boss at work, precisely because she works a lot. Then he gets angry when she mentions that she works a lot because they need the money. Another example of gender inequality can be seen with the actions of Arthur Leander in his various marriages to Miranda, Elizabeth and Lydia. Arthur leaves Miranda for Elizabeth while cheating on Miranda. Miranda suspects that Arthur is cheating on her when she notices that Elizabeth is constantly near Arthur at parties and other meetings and events. But the first time Arthur's cheating becomes real for Miranda is when she finds Elizabeth passed out, drunk, on her couch. Arthur eventually leaves Elizabeth too, even after having a son together. His next wife is Lydia, an actress with whom he acted. Elizabeth takes her son, Tyler to live in Jerusalem. Arthur visits him occasionally. Miranda continues to live independently. Arthur rarely visits him, he remains very distant and indifferent. Another way Arthur appears to have more power than the women in his life is when he sends Victoria letters and begins treating her like an object rather than a person. But Victoria manages to expose him when she publishes his letters in a book so everyone can see what he thought of each of his wives/marriages. In Station Eleven, women also have less power than men. The prophet can travel (while everyone else is under severe travel restrictions) and he can choose women to marry because he is a man. He controls these future brides (some of whom are children) by threatening, killing or mutilating the people they love. The prophet manipulates them and they return to the town of Saint Deborah by the Water to marry her. Because he is a man, he tries to force a young actress (Alexandra) to stay even though he has asked for the Symphony to leave. Eleanor, another girl who is forced to marry the prophet, risks her life by secretly escaping with the Symphony. The Prophet also attacks a village and reluctantly takes one of the women to ensure he can leave unharmed. When she refuses to marry him, he shoots her and leaves her to bleed out on the side of the road. Something that doesn't entirely fit into the category of gender equality, but is just as important, is sexuality. Homosexuality is mentioned several times in Station Eleven. AtAt the beginning of the book, Clark reflects on his previous sexual relationships with men. In the middle and end of the book, Clark thinks about a specific boyfriend named Robert before the collapse of civilization. Sexuality isn't exactly linked to gender equality, but it's important to note that Station Eleven includes diversity among its characters' sexuality. Station Eleven is linked to human rights in several important ways. The first is that many people are denied their basic rights to food, water and shelter. An example of this is Jeevan who was stocking up on food and water before the collapse. Another example is people frantically seeking shelter. The need for food and water can also be seen when the prophet raided the villages for food and water. In one village, after the prophet took food and water, he also took one of the village women as his wife. Fundamental human rights are clearly being violated by the prophet. With an iron fist, the prophet rules the city (Saint Deborah at the water's edge) where he founded his cult. He doesn't let people leave town. It's hard for people to get in unless they have something they want. The Symphony is allowed in because it entertains its citizens. This entertainment is like the bread that the ancient Romans gave to their citizens to keep them in peace. His control over the people and his manipulation are comparable to a dictatorship. This is seen in the fact that the prophet is the ultimate authority and no one has the power to change his laws or remove him from power. Nor does it allow people to create an infrastructure that would allow them to maintain orderly leadership. The prophet knows that this would encourage rebellion; he could be overthrown. He indoctrinates and terrifies his people into submission. He is absolute in his power. He marries several young women without their consent; no one resists him. Other men are willing to be part of his army and do not protect women. There is, however, an example of a protected fundamental human right. A woman is raped at the Severn City Airport. The man who committed the crime is thrown into the woods without provisions where he must die alone and terrified. Although American law no longer states that the punishment for the rapist is death, I believe that this punishment, even castration, is appropriate. Religion is linked to the eleventh station with the obvious link of the prophet distorting the words of the Bible to impose his dictatorship. on the people and its influence on the other villages that formed after the devastation of the plague. The prophet uses words from Revelation, particularly Revelation 18:8 which refers to the destruction of Babylon. It seems that the author was trying to make a comparison between the virus that wiped out most of humanity in Station Eleven and the plagues spoken of in Revelation that will wipe out Babylon. However, this analogy seems strange to me. In the Bible, Babylon is often the oppressor of the Hebrews. While it is likely that those who died oppressed others, it is doubtful that this was the case for everyone. Perhaps a way to further this connection between Babylon in Revelation (in the Bible) and the victims of the virus in Station Eleven would be to depict those who died as oppressors. If we decide that the people who died of the plague oppressed others, the survivors may believe that the plague was helpful, not harmful. Another mention from the Bible is when the prophet mentions how the virus has effectively reset the earth so that only the pure remain. The author tries to compare this to Noah's ark and the destruction ofsinners. This comparison doesn't work because the plague killed people randomly. People were not killed because of their actions and motives on earth. Furthermore, Noah did not become a dictator and he remained married to his one and only wife. Since this is a narrative story, the "important" characters survived, but no reason was given as to why this would support the Prophet's theory that the virus is cleansing the Earth. Most characters seem to survive simply because they are lucky. Kirsten and Jeevan are very lucky because the Georgian flu is airborne and begins to spread on a flight from Moscow. Both Kirsten and Jeevan come into close contact with Arthur Leander, who died of Georgian flu. Jeevan gives Arthur CPR and miraculously does not get sick. If the virus were a cleaning agent, it would make it feel like these two are spared because they're protagonists, but that's doubtful because neither of them question why they survived. The fact that they are so close to a man dying of Georgia Flu and not becoming infected leads me to believe that the author forgot that they should have died. What was the author thinking when Kirsten is more concerned about a clean dress than her own brush with death? Social justice is linked to historical topics such as colonization in Africa, climate change and the Haitian Revolution. Social justice is also linked to literature in books like In the Time of Butterflies, A Long Way Gone, and Othello. Both the Haitian Revolution and Othello show evidence of gender inequality. During the Haitian Revolution, when the government was formed, women could neither vote nor make decisions. This was probably a remnant of French influence on their former colony. Indeed, in France at that time either, women could not make any decisions. The first country to allow women to vote was New Zealand in 1893. This is interesting because New Zealand, like Haiti, was a colony. However, New Zealand was a British colony while Haiti was colonized by the French. Perhaps the difference in laws regarding women's rights comes from the colonizers. In Othello, gender inequality can be seen in gender roles throughout the story. Women are expected to be submissive to men. Men have power over women. Desdemona, the main female character of the story, follows these rules almost perfectly. Emilia, the other main female character, does not obey these societal rules. Both women are dead at the end of the story. Both died because of their opinions on how women should live compared to men. Desdemona dies because she does not fight back as Othello chokes her, submitting to him. Emilia dies because she talks about Iago, her husband, and his role in the plot to kill Othello. She speaks against Iago, Iago kills her after revealing that he masterminded the whole plot. The public must decide which woman was right. The story ends with both women dying for taking sides in a conflict that affected their lives and the lives of all women in history. Othello and the Haitian Revolution are linked to each other regarding gender equality. Italian women were not allowed to vote. This means that Desdemona and Emilia could not have changed their circumstances if they did not love them. Because the environment in Haiti was similar to that of Italy, where women did not have the right to vote, a similar story could have occurred if Shakespeare had set his story there. Rights.