Table of contentsIntroductionTopic analysisReferences IntroductionSalvador Dali is one of the greatest surrealist artists who changed the art world with his unique style and concepts innovative. Dali is in the truest sense of the word a creative genius and an early artist influenced by metaphysics and cubism. Dali cleverly transforms his dreams and fantasies into stunning works of art open to the viewer's interpretation. He introduced the concept of paranoid critical method which refers to the use of the subconscious to enhance creativity. He uses the concept of illusion to convey his message and demonstrates the ingenuity and complexity of his works. He is a creative genius who incorporated science into his art. Say no to plagiarism. Get a tailor-made essay on “Why Violent Video Games Should Not Be Banned”? Get the original essay. Dali has a unique and sometimes eccentric personality and with his unusual outfit to attract attention. He is not only a great artist but also a mysterious and a philosopher who contributed a lot to the surrealist movement through his great works of art. The use of illusion, the concept of paranoid critical method, the integration of science into art and his unique and creative personality are the topics of further discussions in this essay. Subject AnalysisIllusions are considered a disconnect between physical reality and subjective perception. Salvador Dali perfected this concept and created a number of brilliant works of art to challenge the viewer's perception of reality. He uses a concept of ambiguous illusions where the subject produces a contradictory perception as illustrated by Old Age, Adolescent, Childhood (Oil on canvas 1940), Disappeared Images (1939) and many others. In the first painting, it stimulates our brain to perceive the visual stimulation of two opposing images of a fisherwoman and the stages of life to create a feeling of ambiguity. In the second painting, it creates confusion in our minds by challenging our brains to make sense of the artwork. The concept of illusion has been widely used by artists to show double images of the same subject, but Dali is well ahead of his contemporaries. It includes our brain's unique ability to disorderly interpret visual stimulation based on partial or interrupted information. Dali is a genius in creating a picture within a picture and with this the subject can be interpreted with two different meanings. His work based on illusions poses a question to viewers and challenges them to interpret. This is where the role of his creative genius comes. His consistent use of illusion in a work of art to blur the distinction between reality and fantasy, a hallmark of the Surrealist movement, was exemplified by several of his famous paintings. The brain's ability to make connections between things that are not actually connected is essential to the artistic method "paranoid-critical method" invented by Dali. Dali displays his ability to create multiple images from a single work, demonstrating the creativity of his visual cortex to perceive more than one image from a single stimulus. Paranoia is a complex psychotic state without hallucinations and without a personality disorder resulting in a complex delusion. Dali is known for introducing the concept of the paranoid critical method in the early 1930s by which he allowed his paranoid state to create paintings and works of art with optical illusions and multiple images. This constitutes a great creative contribution by Dali to the surrealist movement.Dali states that "the moment is near when, through a process of a paranoid and active nature, it is possible (together with automatism and other passive states) to systematize confusion and thus contribute to completely discrediting the world of reality” (Finkelstein, 1975). ).He externalizes “systematized confusion” into a work of art removed from the world of reality. In painting “Suburbs of the Paranoid-Critical City,” he fantasizes about his wife and transforms her anatomy into grapes, horses and skulls in a series of sketches. He believes that any subject has minimal meaning, but the visual stimulus perceived by the brain gives rise to multiple images that are sometimes unrealistic and confusing. Dali claims that through a deliberate simulation of paranoia, anyone engaging in the paranoid-critical method would be able to demonstrate that a reality is not a fixed entity to which an individual reacts but rather a construction born from this individual understanding of the world. Weaning from Furniture Nutrition (1934) is another example of Dali's work based on this theory. In this work it shows the back of a lady who is probably a nurse sitting on the beach. There is a strange collection of objects around her, like wine bottles, side tables and boats. The lady's back is supported by a crutch. There is no relationship between subjects and objects and probably results from Dali's subconscious thinking. Dali's painting from the 1930s is assumed to exhibit an active paranoid delusion, but it is also possible to view them as reflecting some of Dali's concerns but using images that are not divorced from Dali's fundamental mode of seeing (Finkelstein 1975 ). the rare artist who blended science with art from the earliest stages of his creative life. He studies many scientific journals and his library is full of books on physics, quantum mechanics, the origin of life, evolution and mathematics. He takes meticulous notes after reading the books and uses this information for his creative art. Dali began working on the principles of physics in the 1930s with several paintings such as Invisible Sleeping Woman, Horse, Lion (1930, Paranoiac Face 1935 and Endless Enigma in 1938). These paintings show Dali's creative genius using the principle of optics. . It moves from one aspect of science to another with a deeper understanding of science. He was very moved by the atomic bomb of Hiroshima and created a famous work “Uranium and Atomica Melancholica Idyll” (1945). It shows a fighter dropping bombs in the middle and the yellow flames showing the explosion. The most interesting part is the black background representing the despair and depressing feeling of human beings. Following this catastrophic event, he used atoms and nuclear fusion in his works of the 1940s and 1950s. He mixed religion and scientific imagery, intellectually motivated by Dali's belief that the complex subatomic structure of the universe argues for the existence of a higher creator. His involvement in science evolves over time and produces more and more work based on new discoveries. He created a painting of the DNA molecule as part of Watson and Crick's appreciation and named the work Galacidalacitesoxiribunucleice - Acid (1963). He combines his wife Gala's name and her DNA into his work. Dali moved from the atom to DNA, from stereoscopic physics to catastrophe theory and all these scientific facts were incorporated into his work during this period. Dali is a creative genius, an excellent artist, film producer, costume designer and thinker, but he has a complex personality. . He presents himself as a person with behavior..2009.01.020