blog




  • Essay / John Le Carré and the morality of modern espionage

    Mystery. Secret. Plot. For many people, these words conjure up the mysterious world of spies and espionage – cunning, elusive agents scurrying through the night, only revealing themselves for a brief moment before disappearing into the shadows from where they came. Venus. Excitement. Action. Charm. The mere mention of spies or espionage today often brings to mind famous spies in pop culture, such as the Men in Black and the iconic James Bond. The spy genre is not a sparsely populated genre, with countless books, films, and television shows depicting the dangerous lives of these masters of the shadows. However, writers and producers of the spy genre often view the world of espionage through rose-colored glasses when writing, depicting this world as one with clear distinctions between right and wrong, right and wrong. . Despicable, power-hungry villains like “Dr. No, they plot to destroy the world, but they are stopped in time by daring and courageous heroes, a la James Bond. However, in the real world, this distinction is often blurred, or sometimes even non-existent. Real-life espionage is filled with dark tactics, backroom deals, betrayals, and betrayals. As John Le Carré, renowned author and prolific contributor to the espionage genre, once wrote: “Who can spy on spies? » (Le Carré 77).Say no to plagiarism. Get a tailor-made essay on 'Why violent video games should not be banned'?Get the original essayBorn as David John Moore Cornwell, the man behind the pseudonym 'John Le Carré' was born in Poole, Dorset, England on October 19, 1931 to conman Ronnie Cornwell and his wife, Olive. After his mother abandoned him and his father at a young age, Le Carré spent much of his childhood at various boarding schools and eventually left England at age 16 to study at the University of Bern in Switzerland . In Switzerland, the young Le Carré came to the attention of British foreign intelligence, beginning a long and successful career in British intelligence. Already a member of MI5 even while applying and studying at Oxford University, Le Carré helped monitor the school's most radical elements for MI5 before graduating and teaching at Eton College for two years. Le Carré later briefly joined MI5 before being transferred to MI6, the foreign branch of British intelligence, in 1960. He began his literary career a year later, in 1961, with the publication of his first detective novel , Call for the Dead, taking on the pseudonym "John Le Carré" to comply with MI6 restrictions and regulations. However, it was in 1963 that the MI6 agent turned author first gained worldwide notoriety with the success of the novel that many still consider his magnum opus, The Spy Who Came in from the Cold. With The Spy Who Came in from the Cold, le Carré firmly secured his position as a major author and leading figure in the espionage genre, drawing on his extensive personal experience as an agent of SIS, MI6 and other British intelligence agencies to create a gripping book. stories and stories of life undercover. According to literary critic Tony Barley, "By 1974…le Carré's identity as an author of spy thrillers was well established." Many of his other masterpieces, however, appeared later in his life, such as another of his best-known and most popular novels, Tinker, Tailor, Soldier, Spy. Through the novel, John Le Carré reveals that British and American intelligence agencies during the Cold War and beyond were just as ruthless and immoral as the Soviets againstwhich they were fighting. Le Carré's 1974 novel, Handyman, Tailor, Soldier, Spy tells the story of George Smiley, one of Le Carré's most famous and recurring characters and, like Le Carré, a British foreign intelligence agent . It is 1973, in the middle of the Cold War in Europe, and Smiley, forced into retirement after a failed operation in Czechoslovakia, has just been informed by Control, the head of the SIS, that there is a Soviet mole in the British secret services. : “'There's one bad apple,' Control said, 'and it infects all the others'” (Le Carré 293). Determined to track down and expose this mole, Smiley sets out to investigate and rescue British intelligence secrets from his enemies both at home and abroad. Along the way, while sifting through the layers and layers of secrets and lies that stand between him and the Soviet mole, Smiley uncovers a web of conspiracies and setups that nearly brought down British intelligence - all traced back to a dark Czech general named Stevcek. “Stevcek had a finger in everything… Then Control comes to this field in the mid-sixties, Stevcek's second stay in Moscow, and it's marked green and red fifty-fifty. Apparently Stevcek was attached to the Warsaw Pact liaison staff as a colonel general, Control explains, but that was just a cover. “He has nothing to do with the Warsaw Pact Liaison Staff. His real job was in the England section of the Moscow Center. He operated under the working name of Minin… That’s the real treasure,” Control says. (Le Carré 293) At the end of the story's plethora of twists and turns, "there is nevertheless a powerful sense of incompleteness, uncertainty, and bewildered wonder, as if the ghosts themselves were incapable of understanding the events that have just taken place, or in fact, what they are working for or against” (Cowley). And although the true identity of the Soviet mole is eventually discovered and revealed by Smiley at the novel's climax and conclusion, the story still doesn't end there – Tinker, Tailor, Soldier, Spy is instead the first book by Le Carre. Karla Trilogy", which takes its name from the Soviet spy named "Karla" in Le Carré's novels, who is revealed to be Smiley's counterpart in Soviet intelligence and his "sworn enemy" throughout the trilogy and beyond. Karla is described by Smiley as a mysterious, enigmatic and highly skilled spy: “Legends were made, and Karla was one of them. Even his age was a mystery…decades of his life were lost and probably never will be, because the people he worked with had a way of dying or remaining silent” (Le Carré 206).Hyper, Tailor, Soldier , Spy and all other works of John Le Carré, although works of fiction, are significantly based on real facts and events, as well as Le Carré's personal experiences as a as a British intelligence agent in his early days, before romanticism. In fact, much of Tinker, Tailor, Soldier, Spy is adapted from the true story of Harold "Kim" Philby, a British intelligence officer who rose to prominence within MI6 after World War II. In 1963, however, Philby, after being exposed as a Soviet undercover agent, fled England and defected to the Soviet Union. Le Carré himself contributed to a 1969 book about Philby's defection before fictionalizing – and immortalizing – the events in Tinker, Tailor, Soldier, Spy (Koger). This era was widely described in Le Carré's novels, all of which took place in the middle of the Cold War,.