Superman evolved filmically from “Superman, the Movie” to “Superman, Man of Steel”. In "Superman the Movie", the opening shot gives the audience the context that the superhero, Superman, comes from a red alien planet that has been mined to the core due to the hubris of the Kryptonians . In “Superman, Man of Steel,” the first shot is of a mother giving birth. The blur still shows the state of mind Lara is in and the excruciating pain she is enduring. It is a social commentary on the emotional bond between a mother and child that is lost if babies are artificially "grown", as is done on Krypton with the use of the codex. This crewneck photo shows how Lara in "Superman, Man of Steel" suffers when you see her facial expression and how she emotionally connects with her son instead of being a standard character like Lara in "Superman the Movie." Say no. to plagiarism. Get a tailor-made essay on “Why Violent Video Games Should Not Be Banned”? Get an original essay In "Superman the Movie," the long establishing shot from a slightly high angle gives us the context in which Krypton has been exploited to such an extent where there is virtually no life visible on it. exception of the dome, which becomes the central point since all the diagonal lines lead to this dome containing the council chamber. The color white represents a cold and desolate planet. The vertical lines show how far the planet has been mined to the point where they became trapped on Krypton. The planet is dimly lit, making it even colder. In "Superman, Man of Steel", the long shot taken from a point of view depicts an orange planet with shades of blue in the sky and with the dull brown-gray silhouettes of dragons. and buildings while barren land is in the foreground. The orange color comes from the missile firing and shows the destruction of Krypton. The sun is depicted as unusually large and the dragons and strange buildings show the audience that this is an alien planet while the sun is shown as the main source of light. The super close-up photo of Kal-el's steel heart shows how technologically advanced the Kryptonians are since their computers generate 3-dimensional images of a baby's heart while it is still in the womb. The intense lighting of the left keys only shows certain parts of the heart while others are hidden in shadows. This metal heart contributes to the name "Man of Steel", as Superman comes from a metal planet. The heart is an icon of love and this specific heart symbolizes the birth of a baby. In "Superman the Movie", the long over-the-shoulder shot shows Jar-el alone facing the council who dismiss him instead of listening to him. Jar-el is an icon of truth. The color white is ridiculous because white is generally considered a pure color, but in this context, white symbolizes the pride of the council, as they believe that they are part of an intellectual elite and are infallible. White represents the lack of insight, lack of wisdom and mental imprisonment of the council. Nor does the advice have purity of intention. In "Superman, Man of Steel", the eye-level long shot of the council is taken from inside a cave which creates a frame for the still image. The large chairs on which the council members sit create strong vertical lines. The strong vertical lines are meant to decode superiority, but represent not only their mental imprisonment and lack of wisdom, but also their physical entrapment on the planet Krypton. The overwhelming amount of black foreshadows the.