The poem “Mending Wall” by the eminent American poet Robert Frost has often been considered one of his favorite verses. The basic context of this poem concerns the construction of a stone wall between two neighbors and their individual homes, but upon closer examination of the meaning of "Mending Wall", several scenarios can be found that focus on "a special paradigm concerning the boundaries between reality and subjective point of view” (Montiero 134), which may reflect the personal history of the poet, due to his love of nature and his desire to share his inner poetic beauty with the world. Say No to Plagiarism Get a Custom Essay on “Why Violent Video Games Should Not Be Banned”? Get an Original Essay Of all the poems written by Frost, “Mending Wall” best exemplifies his poetic manner and intentions. storyteller. “Mending Wall,” among other things, seems to be built on the tone of mischief that creates an oral barrier between neighbors Yet this mischief is countered defensively by the weaker neighbor, because “he is looking for something. support in the past and coined his father's proverb: "Good fences make good neighbors" ( Kearns 176). The two neighbors in "Mending Wall" seem only interested in territory, but in reality the argument is much more philosophical in nature, that is, the wall serves as a boundary between divergent visions of the life, such as clashes based on conservatism versus liberalism, urban versus agrarian, and religious conflicts. dogma opposed to secular humanism. The context of "Mending Wall" suggests that one neighbor is dominant over the other, as shown in the phrase "I let my neighbor know beyond a hill", which illustrates that "the passive neighbor has been informed that he is like a serf in a medieval society” (Van Egmond 56) Another symbol that suggests a form of non-dominance on the part of the neighbor is the way in which “beyond a hill” is applied. “a mark of distance that portends a lack of communication” (Montiero 174 However, as is the case with many of Frost's poems, “Mending Wall” can also be seen as the antithesis of political allegory). , given that the narrator is not a broad-minded liberal and the neighbor is not a submissive secondary. As Frank Lentricchia points out, “Mending the Wall” “has nothing to do with the. political ideals of one world...politics of good or bad neighborliness” (251) Thus, this poem distinguishes two very different types of people: one who sees mending as an escape from the rituals of life. daily life and a source of imaginative exploration, and the other who is trapped by the traditions of his ancestors and the old societies of New England. structures. Several key lines from "Mending Wall" help illuminate the narrator's true character regarding his view of his neighbor. “I see him there/bringing a stone firmly grasped from above/in each hand, like an armed old stone savage,” indication that “the dominant neighbor wishes to be permanently separated from his secondary self” (Kearns 217), Yet, it also presents the idea of ​​primitivism, as in the separation of Cro Magnon man from his "neighbor" the Neanderthal, the thick-browed savage of ancient Europe who preferred the wilderness of the forest to domestic life of a protected society. the narrator says that his neighbor "moves in the dark as it seems to me/Not only in the woods and in the shade of the trees", which suggests that the poet no longer sees any plausible reason to repair the "Wall of repair” year after year and has now retrograded into the psychology of human darkness. As it says if,., 1991.