A tale as old as time: narration and relationshipsThe creation of stories has allowed human history to continue to evolve and evolve develop. Storytelling is ingrained in cultures as a way to convey lessons and history. The universal subject of love can be translated from language to language, culture to culture, allowing empathy to arise in hearts and minds from all walks of life. However, love can have many faces. Love can be expressed through the betrayal of those same hearts and minds, or it can be an act of defiance. Love transcends boundaries and walls, but they can create new ones in its place. In its difficult journeys, people have been able to maneuver love through the lessons of the past. In Aimee Nezhukumatathil's poems, “The Origin of the Milky Way” and “Little Houses,” the poet combines a message through the narrative of romantic relationships with allegories of the past. Say no to plagiarism. Get a tailor-made essay on "Why violent video games should not be banned"? Get an original essay In "The Origin of the Milky Way", Nezhukumatathil forces the audience to search for the name of the painting and look at the work all while reading the poem- ​​a common feature of his work. Jacopo Tintoretto's 1575 painting depicts the image of Zeus attempting to make Hercules immortal by drinking Hera's milk. (National Gallery) The poet appeals not to the main theme of the poem, but to Hera's prized possessions in the background: "I cannot help but look at the right corner / of the painting, and I remember man / I'm bored, five hundred miles away. (Nezhukumatathil, 12-14) Nezhukumatathil chooses the birds over the god and goddess in reference to their fleeting relationship. The poet chooses the bird to personify his lover for his flighty and fickle behavior: “The birds should see what is happening, / but they do not see it: he is busy, and the female turns away / as if she was already tested " (Nezhukumatathil, 19-21) Nezhukumatathil recognizes this behavior in herself, but still longs for what she lacked in the relationship: stability: "I secretly want them to be caught, put together, if only / so that they look in the same direction again, bend their necks / near their plot, their flight, swear to return to their willow —” ​​(Nezhukumatathil, 22-24) Her beautiful image of her relationship with this man gives the impression that destiny, personified by the cherubim in the painting, is doomed to failure. this from the beginning. The poem instills the idea that fate could not separate them, if only the lover would allow their future together. In “Little Houses”, the poet ventures far from the works of one man, but from the lives of three women. Three powerful women - Frida Kahlo, Marie Antoinette and Harriet Tubman - although coveted for their impact on history, had a history of men who shaped their lives. In the first stanza of the poem, Frida Kahlo's relationship with her husband affected her negatively but, inevitably, for the better in her work: "She painted / Happy scenes / Happy colors / But he still slept / With other women”… “She said: “I am / So often alone. / I am the subject / I know better. (Nezhukumatathil I: 17-21, 31-34) Nezhukumatathil refers to Frida's painting "A Few Little Pinches", which appears to feature her, her lover, and the accompaniment of red blood. His feelings were reflected in his visceral work, which inspires but leaves audiences dismayed by its brutal nature. (Frida Kahlo) While Frida Kahlo's husband cheated on her, she transformed her pain into beautiful works of art, a reflection of herself rather than her.