Magical realism is the art of infusing the supernatural into the mundane. Many Latin American authors harness the power of magical realism in their novels, in which characters regularly encounter the spiritual world. This ability endows them with a "sixth sense" so that they have superhuman insight, discern apparitions invisible to natural eyes, or communicate with spirits or spirits of the deceased. Laura Esquivel are Latin American authors who have used "lo real maravilloso" or magical realism in literature, pervasive in her bestseller Como Agua Para Chocolate. This method serves to integrate legend, religion and spiritualism into reality (Jameson 1986). The reader realizes that magical realism is not simply magical, but is an inextricable part of life and human experience. Continuing in Native American tradition, as seen in Monkey Beach, the authors depict their deep religious heritage in literature, inserting religious beliefs, rites, and supernatural events. Say no to plagiarism. Get a tailor-made essay on “Why Violent Video Games Should Not Be Banned”? Get the original essay Isabel Allende's The House of Spirits is a text populated by characters with magical abilities. Characters, such as Clara, are gifted with strange spiritual abilities such as clairvoyance, dream interpretation, and telekinesis (moving objects with the mind). In the novel, writing is not a simple activity. It becomes a spiritual affair in which the writer undergoes an inner catharsis or purge, using the power of the pen. Clara records her dreams and spiritual encounters to pass them on to future generations. In this world, “conventional resources were not everything” (Conniff 1990). Spirits assist man in a mutually beneficial relationship. She maintains good relationships with good spirits and they stay in her home, giving her a contentment that nothing material could give her. Characters may see the appearance of ghosts and experience comforting spirits participating in daily life, so much so that the residents of the house accept them as normal. The paranormal is constantly present in the novel. For example, Clara miraculously finds the lost head of her mother who was accidentally decapitated. The spirits reveal the exact location of the head to him even though no one has been able to recover it. The novel's punctuation with magical and surreal events impresses the mind with the intersection of the spiritual world (embodied by Clara) and the material (embodied by Esteban). In Monkey Beach, Lisa, the protagonist also has a phenomenal spiritual ability to foresee events. through dreams before they come true. In Haisla culture in Canada, indigenous Indians cherish the culture of supernatural awareness and communication with dead ancestors. Ma-Ma-Oo, Lisa's grandmother, appreciates Lisa's unusual gift and teaches her how to hone and control it. In magical realism novels, the presence of older generations is essential because the work “is the simultaneous impulse of atavism and modernism” (Gish 1990). Lisa discovers her sixth sense and later "sees" a vision of her deceased brother giving her an urgent message. Lisa also receives a vision that her best friend has died. Magical realism is woven into Monkey Beach not only through Lisa, but also through the old hag, Screwy Ruby, Sasquatch (a legendary animal from another world), and a strange little man who appears to Lisa whenever somethingimminent is about to happen. These characters are gifted with premonitions and predictions. Some of Lisa's family members also suffer from her spiritual gift, but choose to deny it. The setting is essential to structure a text with magical realism. In One Hundred Years of Solitude, the setting is a fantastical and timeless village called Macondo, whose inhabitants are immortal. Decor not only means space, but also time. The laws of time in works of magical realism operate outside the normal sphere. “Time is curved and coincidence in a whole moment which is outside the time of the clock” (Rabassa 1973). Marquez's title emphasizes a timelessness that also points to another world. Gabriel Garcia Marquez describes the village of Macondo as a place untouched and untouched by modern civilization and technology. Comparable to the Edenic paradise of Genesis, the city has never known disease. While not a picture-perfect picture of perfection, the interaction of the gypsies makes the scenario seem surreal. Science and invention are unknown in this idyllic world and the magic of pastoral life seeps into the story. The novel, House of the Spirits, takes place in an unnamed country. In literature, anonymity lends the idea of ​​mystery and another world. Thanks to the title, we know that the major scenes take place within the confines of a haunted house whose inhabitants regularly communicate with spirits or ghosts. In the house, strange events unfold as the lady of the house, Clara, takes pleasure in worshiping the spirits. In Monkey Beach, Monkey Beach takes on new meaning by becoming the setting/site of his brother's death. Monkey Beach is a gloomy environment where crows and hawks haunt and drownings occur. At Monkey Beach, Lisa observes a Sasquatch (B'gwus) while the others cannot see it and hears voices the others cannot hear. These spiritual beings offer Lisa help if she performs a ceremony and makes an offering to them. Because of these supernatural events, Monkey Beach evolves into another world full of supernatural power. Religion is at the heart of magical realism in literature. Religion promotes belief in another world and the reality of a spiritual world. In Latin America, where more than 90% of the population is Catholic, the novels The House of Spirits and One Hundred Years of Solitude are imbued with religious references, characters or myths. In The House of Spirits, Clara is denounced as possessed by the village priest. After their deaths, Clara and Ferula become ghosts who haunt the large house on the corner, thus making the house "the house of spirits", thus transmitting the popular spiritual concept of life after death and spiritualism (the belief in spirits). and communication with the spirits of the dead through mediums). References to priests, nuns, churches, convents and mass reinforce the primordial presence of religion and its role in inculcating spiritual teachings to the masses. Like Water for Chocolate by Laura Esquivel imbues the family setting with magical realism. Tita's visions of her deceased mother, Mama Elena, in the bedroom. The culinary miracles that occurred in the kitchen as she prepared her meals and the wondrous effects on the participants lend credence to the power of magical realism in the homes and hearts of Mexican and Native American cultures. The sexual powers released in this novel through food impact the body, mind, and spirit of all the characters. For the wedding scene, the wedding guests are magically fired up as they enjoy Tita's quails with rose petal sauce. As an aphrodisiac>.