The past determines the future. Spiritual guidance is often used as a catalyst for the progression of a story. In Hamlet and Inferno, the mystics are the entities that help create conflict in the tale that allows the story to have many possibilities for resolution. Both of these beings belong to the past, emphasizing how what happened in the past helps define what will happen in the future. Without this spiritual guidance, the conflict would not take place and the story would have no plot. Mystical beings are therefore an integral part of both stories, intertwining the two texts through the concept of divine intervention. Say no to plagiarism. Get a tailor-made essay on “Why Violent Video Games Should Not Be Banned”? Get the original essay In Hamlet, Virgil is the ultimate guide to Dante. He serves as a dual mentor: both to Dante in the novel and to Dante the writer in his quest to define and reflect on his life. Virgil channels ideas from the past to help the character Dante complete his quest in the underworld and the writer Dante continue his poem. Without Virgil's guidance, the journey would never have begun. Before Dante officially began his journey to Hell, the hero doubted his abilities and heroism. His “soul… assailed by cowardice” (Dante 15), would have given up before the start of his epic expedition. By providing the security of having the support of the divine, it allows Dante to experience Hell with a greater sense of security. Without this trust, Dante would not have been able to retreat into the depths of Hell with such a discerning eye. Therefore, his journey would be aimless and he would not have gained as much from his experiences. Virgil is Dante's protector. The appearance of Hamlet's late father set the stage for Hamlet's actions. Without the advice given by the ghost, Hamlet would have no definitive proof of Claudius's betrayal and regicide and would have no clear path to revenge. Hamlet did not know for sure that Claudius had murdered his father, although the situation between Claudius and Hamlet's mother, Gertrude, was strange. When his father's ghost asked him to "avenge his vile and unnatural murder" (Shakespeare 31), Hamlet had a mission and Hamlet's story had a plot. Without the late king's words, Claudius would only be Hamlet's enemy for Claudius' unusual relationship with Hamlet's mother, and in the end he inherently snatched the crown from Hamlet, who was next in line. However, Hamlet would not have known that Claudius had murdered not only the idea of ​​his harmonious home, but also the person he admired most: his father. Since the apparition was actually his father, Hamlet uses his heightened passions as a vehicle to move him forward in his quest for revenge, which also moves the plot forward. Spirit guides, showing insight into the authors' views on morality, highlight ideas of vengeance and sin. For example, in Hamlet, revenge is deemed necessary by spiritual leadership. The dead will not be released until they have been avenged. While Hamlet had to kill his wicked uncle, he could not kill him while Claudius was praying in a church, because that would give Claudius eternal salvation instead of unrelenting sorrow. Although Shakespeare created the idea of ​​Hell based on Dante's Inferno, he did not have the horrific images to accompany the eternal terror. Furthermore, Hamlet, a mortal human, takes it upon himself to act as the divine and inflict upon Claudius a punishment to which no mortal has the right or power. On the other hand, in Inferno, Dante is more removed from revenge. He sees..