Scene 1 of Act 2 of Julius Caesar, lines 1 to 69, is terribly important because it marks a turning point in the play . The two characters appearing are Brutus and his servant, Lucius. Brutus, having had the idea of ​​assassinating Caesar implanted in his mind by Cassius, ponders and explores the idea here and, through self-applied rhetoric combined with the effect of Cassius's scrolls praising his nobility, Brutus decides to 'act and kill Caesar. Say no to plagiarism. Get a tailor-made essay on "Why violent video games should not be banned"? Get the original essay The passage is extremely effective in dramatic terms: although Brutus is alone for much of the scene, with great potential for d Boredom and boredom, Shakespeare maintains the drama throughout and maintains the audience's interest through various means. The phrase "I cannot, from the progress of the stars, guess how near the day is," recalls the storm and the strange events of the night, which signify both Rome's political turmoil and the turmoil interior of Brutus; whether or not public interest is more important than private friendship. The storm itself, at the discretion of the director, would undoubtedly be created using theater lighting and sound, adding to the excitement and creating tension. Brutus orders his servant Lucius to fetch a torch, then begins to convince himself that Caesar must die with the words "it must be by his death." This simple monosyllabic phrase clearly states Brutus's intentions, and although he debates the matter during his monologue, the end result is again emphasized in a six-word monosyllabic statement: "And kill him in the shell." . These two phrases ensure that audience members are not lost in the maelstrom of poetic language and maintain a clear sense of plot direction while allowing for the incorporation of excitement and passion into the self-persuasive speech of Brutus. The speech maintains interest through the use of poetic and richly descriptive language, using a variety of metaphors for Caesar, including a "serpent's egg" which, if the man were crowned, would hatch and potentially cause harm. great damage to Rome. Such powerful poetic imagery is used to both convey information about Caesar's sense of importance while also captivating the audience. When Lucius returns with the torch, he brings a paper that, unbeknownst to him, Cassius has thrown out the window, claiming to be from a Roman citizen supporting Brutus, which helps to further persuade him of the cause of the conspiracy against Caesar. The letter, drawing on the memory of Brutus' ancestor who drove the dictator Tarquin from Rome, urges Brutus to "speak, strike, repair" and rid Rome of its new dictator. The entrance of Lucius and the presence of the parchment interrupt Brutus's speeches to prevent the audience from becoming bored with his potentially (although this differs depending on the actor and the direction) insipid language. Brutus's reflection is truncated when Lucius announces that "March is lost for a fortnight", the dramatic interjection reminding the reader of the soothsayer's warning "Beware of the Ides of March" from I.II 18. It creates a feeling of The audience's anticipation of what is to come increases Brutus' vexation, although this also seems to be a factor in determining him against Caesar. The atmosphere of the play then becomes more and more threatening and sinister, particularly with the entrance of the conspirators in the following section. The sense of anticipation of the cadaverous act to come builds up to the moment of Caesar's death, and the audience is gripped as the tension on stage mounts. There.