In Henrik Ibsen's play A Doll's House, Christian Linden (or Linde) must give up his own life to provide for his mother and daughter. his younger brothers, and once again finds freedom. widow. However, Mrs. Linden is unhappy at not having a family to work for and struggles as the only character in the play motivated by morality rather than social normalities. His example, although accompanied by conflict, supports the idea that obeying the rules of society will lead to an unsatisfying life. Say no to plagiarism. Get a tailor-made essay on “Why Violent Video Games Should Not Be Banned”?Get an Original EssayEach character in Henrik Ibsen's play, A Doll's House, is greatly influenced and influenced by society, one of the main being Christina Linden, because she has to fulfill her duties and hastily marry a man for his money instead of being with someone she truly loves. Mrs. Linden's life changed quickly after her father's death, and she had to take control of her household and provide for her needy family. This opportunity opened up an unusual position for Christina as women never hold power within their household. Unfortunately, Mrs. Linden is now a widow and must work for her own wages, but she has no one to share her earnings with. In a "catch-up" conversation with Nora, Christina openly admitted that Nora lives a comfortable life and must be glad "to have what she needs" (Ibsen 13), because Christina no longer has a place to call . at home or to the children she could care for from her previous marriage. Although Christina appreciates the independence she found after her husband's death, she cannot help but long for someone "to live for" (Ibsen 16) and to share her life with, because she has this natural instinct to nurture people as a wife or mother. Christina struggles between the idea of ​​being independent and having complete control over herself, or opening herself to the possibility of giving up some of this newfound freedom in order to be happy in a marriage like Nora. As a widow, Christina is seen as meek and helpless, so employers often offer her work out of pity. Society doesn't necessarily throw away widowed women, but it looks down on them, so if Christina accepted society's rules, she would be unhappy. Marriage is a way to confine and prohibit women from exercising any type of power, so whatever path Christina chooses, she will ultimately have to sacrifice a pleasant part of her life. Additionally, Christina's tendency to conduct her actions based on moral values ​​rather than moral ones. Instinctive desires or societal norms are a conflict in Henrik Ibsen's A Doll's House, as Christina must influence those around her so that they can understand her decisions. Christina is willing to be submissive because she finds “no happiness in working for herself” (Ibsen 90) and being alone is not ideal for a caring woman. Being primarily motivated by her superego, Christina bases her decisions on her interpretation of morality and does not take societal norms into account. So she sees no problem with a woman having control over herself, because she can see beyond gender and see all humans as equal. This type of ideology conflicts with the social perception of gender, as women are expected to be submissive to a man until all the men in their lives are dead. Christina pleads with Krogstad, saying she needs "someone to take care...and [her] kids need a mother".