Michelangelo, a famous Renaissance artist, made many achievements during his life. Two of his famous works of art were the Sibyl of Delphi and the Sibyl of Libya, painted on the ceiling of the Sistine Chapel. The Renaissance era was a period where art had progressed enormously from humanism, classicism, individualism and secularism. Michelangelo had also used these characteristics in his works, such as the Sibyl of Delphi and the Libyan Sibyl. As an artist, he achieved one of the greatest achievements, which was the title of “Father and Master of All Arts”. Michelangelo Buonarroti was one of the many inspirations of the Renaissance. Say no to plagiarism. Get a tailor-made essay on “Why violent video games should not be banned”?Get the original essayOn March 6, 1475 in Caprese, Italy, Michelangelo di Lodovico Buonarroti Simoni or better known as Michelangelo Buonarroti was born. He was one of the most talented artists of the Renaissance period and his works ranged from paintings and sculptures to architecture and poetry. Michelangelo's family worked in the financial banking industry. According to the biography, it is written that "Michelangelo's father realized very early that his son had no interest in the family financial affairs and therefore agreed to apprentice him, at the age of 13 years old, in the studio of the fashionable Florentine painter. » During his apprenticeship, he discovered fresco which would soon become a technique that he would use in his art. A year later, Lorenzo the Magnificent asked him to come to his palace to learn more about art. In the Encyclopedia of World Biography it is written: "Michelangelo's first sculpture, the Battle of the Centaurs (mythological creatures that are both man and horse), a stone work created when he was about ten -seven years old, is considered notable for the simplicity, solid forms and square proportions of the figures, which add intensity to their violent interaction. Even at the age of 17, he was a great artist and eventually became more passionate about his art. From 1489 to 1492, the Medici family "gave him access to Florence's social elite, allowing him to study under the respected sculptor Bertoldo di Giovanni and exposing him to prominent poets, scholars, and erudite humanists ". Michelangelo was also allowed to study bodies to understand anatomy, but this took a toll on his health. His study of anatomy helped his art become vivid and realistic, second to none. Later in his years, he was asked to paint the ceiling of the Sistine Chapel. From 12 apostles to more than 300 figures, Michelangelo fired all his assistants "whom he considered incompetent", and completed the 65-foot ceiling alone, spending endless hours on his back and jealously guarding the project until reveal the finished work on October 31. , 1512." Because of his astonishing achievements, he became short-tempered and a troublesome person. He became depressed in some way and began to write and he wrote: "I am here in great distress and with great physical strain, and I have no friends of any kind, and I do not don't want it either; and I don't have enough time to eat as much as I need; my joy and my sadness/my rest are these discomforts. He expressed his pain in literature and poetry, for which he also became famous. In his personal life, he never had a committed relationship nor was he married, but he "was devoted to a pious and noble widow named Vittoria Colonna, subject and recipient ofmany of his more than 300 poems and sonnets. Although she died in 1547, "Michelangelo developed an attachment to a young nobleman, Tommaso de' Cavalieri (scholars dispute whether this was a homosexual or paternal relationship)" in 1532. February 18, 1564, Lodovico Buonarroti Simoni Michelangelo died due to illness. His nephew brought him back to Florence and Michelangelo was nicknamed the “Father and Master of all the arts”. Michelangelo uses the form of realism to create a three-dimensional work of art called the Sibyl of Delphi, which was painted in the Sistine Chapel. In Michelangelo's work, he positions the sibyl so that she looks away from the parchment she is holding. With the position of her gaze and the way her body is posed, it looks like there is movement in her body for her to look in another direction. “Art & Critique” states: “The garment consists of three parts: a cold blue coat which also serves as headgear and a double-layered toga, a layer of warm green, another of warm orange and 'gold. » Michelangelo deliberately gives the woman a realistic appearance with his clothes which highlight her chest and her waist. The guardian looks away from the scroll "apparently in distress at what the future portends – and what she must reveal." Her facial expression tells us that the woman is young and beautiful because of her facial features, which are a symmetrical face with big eyes and flawless skin. In Delphic Sybil, she “shows her face more easily than reads – and ultimately injects this series of mythological women with a fresh, youthful spirit.” It changes the way people started thinking when it came to young people. The Sibyl of Delphi demonstrates humanism by giving emotion to the female figure. Her face indicates that she is upset and shocked. Additionally, the way her head is turned in a different direction than her body means she is cautious. Another example of humanism is the anatomy of men in statues. Michelangelo studied the human body to make his works of art more realistic. The woman being the center of attention and being alone shows individualism. The Sibyl of Delphi represents secularism because in the background a man is holding a book, which shows that he was educated and the woman knew how to read, so she too was educated. The painting shows classicism as the woman wears an outfit similar to a toga that was worn in ancient Greece. As for the Libyan Sibyl, she presents a whole series of Renaissance characteristics. The male body structure shows that anatomy was used to create the female figure, which shows that individualism was used. Originally it was a male body, but the facial features were manipulated so that the figure became female, representing humanism. Like the Sibyl of Delphi, the female of the Libyan Sibyl was also perceived to be learned because of the text she holds above the tome. The woman who turns away from the book demonstrates classicism. In Art & Critique, he specifies: “For example, the gesture of turning away can be seen as a betrayal of ignorance: having knowledge (carrying it in one's hands), but being incapable of applying it in the right way … — that’s it. , in fact, a common Christian interpretation of ancient Greek wisdom, esp. Michelangelo used the position of the character's body to say that the Church was not always right and ignored the true ways to be Christian. The artwork shows secularism because "Platonic and Aristotelian ideas and concepts" were supposed to be used as the philosophers implied, but the Church was not,.