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  • Essay / Problematic Representation of Black La in The Film Boyz N The Hood

    The film combines the medium of art and technology which is then used to share images and sounds with a global audience. With these benefits, an urban space in Los Angeles, California can be shown to the world, allowing viewers to vicariously experience a space that may be hundreds of miles away, making it one of the smallest ways to obtain information about the land and its occupants. Films can be seen as responsible for producing countless ideas and opinions from the audience the film reaches. If the content of the film has been distorted or manipulated in such a way as to evoke a certain opinion about what was shown, this takes away from the viewer the freedom and power to form their own opinion on the subject, especially if the film is the only one to disseminate information widely. .Say no to plagiarism. Get a tailor-made essay on “Why Violent Video Games Should Not Be Banned”? Get the original essay The Academy Award-nominated film Boyz N the Hood is a useful example that shows the duality of the portrayal the film gave to the underrepresented black population in South Los Angeles. Showing the light to the South Central region, where the majority of the population is black, was a huge step in giving the minority community a voice, but the way it was shown to the world may also harm the community. The problematic portrayal has created disadvantages such as cementing and reinforcing negative racial stereotypes and has defined a poor way to treat the population. Comparing the poor black population and the rich black population of South Central, poor black communities are more represented in the film, which creates the idea that being black means being poor in most cases. The title of the film makes it easy to guess what it means to be poor. it will be composed in such a way that even without watching Boyz N the Hood, the audience can already assume that these are men living in a ghetto neighborhood where poor minorities, including blacks and Hispanics, reside. The plot consists of the growth of three black people. teenagers growing up surrounded by drugs, gangs and violence. The viewer begins by knowing the three as innocent children in the Crenshaw district, then as young adults struggling with their dangerous environment. Friend Ricky is killed by a gang member when he is the football player of the group who wanted to do something with his life. Doughboy, who grew up surrounded by gang violence and was imprisoned, vows revenge and kills the shooter while Tre backs down when his father persuades him not to join the endless cycle of violence. This film succeeds in showing the different perspectives of young black men growing up in a violent environment and resorting to selling drugs to end their poverty. Although there is truth in this film and it brings attention to the Black experience in South Central, it still manages to be disadvantageous to the people of the area because it creates assumptions about the city . There is little to no black representation in films and when there is, the film is usually about ghetto neighborhoods where civilians are poor and struggling. This creates the idea that black people are dangerous and live in dangerous cities with a plethora of crime and death. It's difficult to list successful films about black people in black neighborhoods because the only representation they get is in "neighborhood films" where the neighborhood experience is projected. The few widely known black films highlight the struggles of a black community, but it seems that this is thethe only representation the region benefits from. The existing representation could also have been exaggerated and misinterpreted. By watching or even hearing about black films, including Boyz N the Hood, audiences are led to believe that black neighborhoods are dangerous. These stereotypes affect the way people perceive black people and define how black people should be treated. When the black population is considered dangerous, society and the law react differently to black bodies, basing their judgment on what they see in films. Black people are seen through the filter of stereotypes that cinema has created about them, which is dehumanizing because it begins to become impossible to know the minority without being blinded by the predefined assumptions we have about them. Cinematic representation of minorities is important but it becomes dangerous when there is limited representation and among those select few films there is content that will not only advocate negative views of the black population but also create stereotypes racists. Cinema becomes a tool of discrimination when it influences minds that black communities are bad and dangerous. These reinforced assumptions make it harder for black people to achieve justice, something they and other minorities have been deprived of. Existing issues affecting the black community involve mass incarceration and discrimination that leads to the destruction of black communities. The problematic representation makes it more difficult to combat current inequalities, as the black population is now seen in a certain way, seeing them as “other” and “dangerous”. Mass incarceration attacks the black man by imprisoning him and thus removing him from the streets, which contributes to the image of Los Angeles, so that with fewer criminals, there are more incentive to move in and feel safe. The crimes they are arrested for are minimal, but it is easy to treat a black man unfairly while living in a society that has consistently criminalized the black body and reestablishes that mindset with films that portray black people as dangerous. Christina Heatherton looks at the mass incarceration of the African-American community in Los Angeles which abused the rights of the oppressed community in order to profit from the imprisonment of this population. The Broken Windows Theory is a conceptual strategy for why police arrest and charge minority groups in Los Angeles for minor offenses and are motivated to work harder on these arrests in order to meet a quota. Problematic representation that further dehumanizes and criminalizes Black bodies makes it more difficult for the minority to escape the discriminatory practice of mass incarceration. By targeting an easy-to-find suspect who committed minor crimes among a population that was increasingly beginning to criminalize the poor, the city gained a new group of people to exploit to imprison the population that is being treated like stain in the community. The book's introduction shows how these small arrests were celebrated due to the belief that focusing on minor offenses would reduce the likelihood of more serious crimes that would appear to be committed if there was no focus on the racialized poor. In the modern city, the homeless population makes Los Angeles look unclean and ghetto, which is bad publicity. So there is always a goal of targeting the homeless in order to take advantage of the city's cleaner image. more public and more active at the time it was accepted. “After their conviction, local judges., 2011.