Alone in his childhood home, his father buried and his mother married to another man, Hamlet laments: “Oh that this flesh too, too defiled, would melt , thaws and resolves into dew” (1.2.129-30). Hamlet mentions suicide at the beginning of Act I and reflects on it throughout the play. Not only does he consider the idea, but he intentionally courts death as he carries out his father's revenge. The prince allows himself to be killed because he can no longer bear to live, but also cannot, in good conscience, commit suicide. Hamlet's suicidal intention is a simple explanation for his confusing behavior and confusing speeches; his intelligence, his sensitivity and his religion, however, push him to seek to free himself from the sorrows of his world in an honorable way. Hamlet's death was a suicide; all the action of the play leads to his carefully orchestrated and impeccably acted massacre. Say no to plagiarism. Get a tailor-made essay on 'Why Violent Video Games Should Not Be Banned'?Get the original essayIn her first appearance, Gertrude describes Hamlet as a "knight-colored" man with "veiled eyelids", he claims to be even more sorrow struck, as having "a dejected demeanor of the face, a fruitful river of the eye" (1.2.81-3). The melancholy and discontent in Hamlet's life determines the direction of all his thoughts and actions, even eventually towards suicide. His first soliloquy explores the idea and his frustrated tendencies in this direction, "that the Lord had not fixed his canon against self-mutilation" (1.2.131-32). Shakespeare wanted Hamlet to appear to the audience as a “truly distressed melancholic” from the first curtain (McCullen). Horatio is well aware of Hamlet's fragile condition and, when he confronts the ghost, he fears that the apparition will be too much for his overly sensitive prince and will "drag him into madness" (1.4.74-5) . Hamlet faces an imposing set of family distresses all of which affect the hero's life and sanity. He returns home after the sudden death of his father and finds his mother in the bed of another man, his father's murderer; the throne is taken from him, and yet he is not allowed to return to school; his friends have betrayed him, Rosencrantz and Guildenstern, like Polonius, allow themselves to be manipulated by Claudius and sneak into the castle, and the beloved Ophelia becomes an obedient tool for his enemies to use. This leaves Hamlet completely alone. Hamlet wants to end his life, but must be true to the spirit of his father as well as his Christian ideals. He is torn between wanting to end his life and being faithful to the spirit of his father as well as his Christian ideals. To avenge his father's murder, Hamlet must kill his uncle, an idea so at odds with his humanity and his faith. that in the fifth act he continues to question Horatio about the justice of killing Claudius even after seeing the king's murderous intentions towards himself and proving the king's guilt with a play. Hamlet simply cannot bring himself to take blood revenge, despite his assurances to the ghost and sometimes to himself and Horatio. Hamlet is caught in a double bind; while revenge will bring peace of mind to his father's ghost, it will also destroy any hope of salvation for Hamlet's (Nardo) soul. His father's lack of absolution upon his death deeply disturbed Hamlet. Shakespeare surely wanted Hamlet's deeply held religious values ​​to prevent him from ending the life of his uncle or himself. Hamlet is stuck in a situation in which he cannot avoid harming his deepest principles. Is it any wonder that he would rather die than choose one of the paths thatare reserved on earth? Hamlet debates this in his famous question “To be or not to be?” » a question which has three answers, not just two, and which, according to Professor Hardin Craig, is "the crucial passage in the interpretation of the character of Hamlet" (McCullen). The monologue revisits the argument of his first soliloquy. The basic theme is clearly Hamlet's preoccupation with death, but is the emphasis on his own end or that of Claudius? The argument is easy to apply to Hamlet. Committing suicide would damn his soul and lead him to unknown and possibly horrible places, while living means enduring "scandalous fortune" and opposing so-called "slings and arrows" can only mean killing Claudius, which would damn him. Hamlet's soul as well as probably ending his life (McCullen). Or Hamlet could do nothing, the third option and an unacceptable choice for a hero and a prince. He regrets his very existence which forces him to repair what was done to his father, but he cannot commit suicide until his duty is accomplished. Hamlet will avenge his father, but he seems just as determined to put himself in danger and ensure an honorable death while ensuring that Claudius meets his own end. From his first exchange with the king, all we see from Hamlet is inappropriate mockery, insults, and disdain. Hamlet's very first direct address to Claudius is "I am too much in the sun", meaning that he does not want the "sun" of being in royal favor as well as a pun on his son as in the fact that he is Hamlet's son and as such he should be. on the throne of his father (Nardo). Hamlet barely speaks a courteous word to the king throughout the play; he does not miss a single opportunity to tell his uncle of his ambitions for the throne and his aversion to marriage. Hamlet's presentation of the Murder of Gonzago was also a foolish ploy, he has already accepted that the ghost is not fiction, he does not need any further evidence to kill Claudius, and there was no need to making the dramatic parallel of the murder so close to the actual event, Claudius would have shown his guilt anyway. Hamlet goes out of his way to convince Claudius and the court of his murderous mania and to despise their ungodly situation, a goal exactly contrary to self-preservation (Nardo). Hamlet tries to kill himself. Hamlet puts himself in great danger when he goes, not without wanting to, to England with his two school friends Rosencrantz and Guildenstern whom he knows are spies for Claudius and declares "I will trust as I will the fang adders". d" (3.4.203). He obviously expects them to harm him and yet he makes no plans to guard against danger as he becomes a friendless victim at sea. Hamlet does not say nor to Horatio that he deliberately made an effort to investigate the "warrant" sent with Rosencrantz and Guildenstern It was a whim, a "recklessness" that led Hamlet to discover the letter ordering his death and only one. luck in the arrival of the pirate ship which allowed him to return home safely Why would Hamlet want to return home safely If his actions were all intended to bring about his own death, he would have accomplished this by? an execution. The "death of a criminal" would not suit Hamlet (Nardo) however. It would not be an honorable death, Hamlet wants to face Claudius as an equal. Hamlet's final and most convincing example. courting death is his foolish acceptance of Laertes' challenge when the prince is fully aware of the plot against his life by Claudius and probably by Laertes too after what Hamlet did to his family. Laertes actually tried to strangle her at Ophelia's tomb, he did not., 1998.