Tupac came to life on June 16, 1971, Tupac Amaru Shakur. He was originally from Brooklyn, New York, but, as he grew up, he moved from Harlem to Baltimore and then to Oakland. The constant travel leads Tupac to his new colony of people by joining gangs, and his long criminal record was developed before his productive appearance in music and film. He was incarcerated eight times before reaching the age of twenty. Tupac's first breakthrough came when he joined the band Digital Underground as a performer. Say no to plagiarism. Get a tailor-made essay on “Why Violent Video Games Should Not Be Banned”? Get an original essay Throughout this period, Tupac spent most of his time formulating his own poetry and lyrics to launch his own career. In 1991, he signed with Interscope Records and a year later, he released his debut album 2Pacalypse Now, which instantly classified him as "gangster" rap. Shakur has sold more than 75 million records worldwide, making him one of the best-selling musical artists of all time. Almost all of the messages in Tupac's songs focused on inner-city brutality and poverty, racism, and other social issues. Several people in his family, including his parents, were affiliated with the Black Panther Party, whose values ​​were emulated in his songs. Towards the end of his career, Shakur was a vocal member during the East Coast and West Coast hip hop battle, becoming caught up in the process. into problems with other rappers, producers and label staff, particularly The Notorious BIG and his label, Bad Boy Records. Not only did he have a career in music, but Shakur was also an actor, starring in six films and a television show in the 1990s, including Poetic Justice (1993), Gang Related (1997), and Gridlock'd (1997). . On December 7, 1996, Shakur was shot and killed in a drive-by shooting at the intersection of Flamingo Road and Koval Lane in Las Vegas, Nevada. He was taken to University Medical Center of Southern Nevada, by Suge Knight; he died from his injuries six days later. "Dear Mama" is a single by American hip hop artist 2Pac, released on February 21, 1995, as the lead single from his third studio album, Me Against the World (1995). This hit single is a recognition to his mother, Afeni Shakur. In this song, Tupac depicts his adolescence and his mother's addiction to crack cocaine, but insists that his affection and deep respect for his mother supersede the bad flashbacks. The song topped the Billboard Hot Rap Singles chart for five consecutive weeks and also reached the top. at number nine on the Billboard Hot 100. On July 13, 1995, the single was certified Platinum by the RIAA. "Dear Mama" has often been ranked among the best of its genre, making its presence on various "greatest hits" lists. In 2010, the National Recording Registry of the Library of Congress added this song to its collection, which considered its artwork "culturally, historically, or aesthetically significant, and/or informs or reflects life in the United States." In a press release, the institution called the song "a moving and eloquent tribute both to the murdered rapper's own mother and to all mothers who struggle to provide for their families in the face of addiction, poverty and societal indifference. mother and in many ways to women and mothers who come to difficult parts of the world. The refined harmonies, melodies and rhythmic preferences suggest the softer touch that Tupac is trying to create in this work, one of his worksthe lightest and most delicate. The choice of a 70s blues/funk guitar and digital organ speaks to a bygone era using the basic sound his mother would have listened to, perhaps this sound represents reminiscences of songs from youth of Tupac and his mother's musical. influences on him. This is reinforced by 70s sounding backing vocalists filling in the story of the chorus as well as the light male tenor voice featured in the chorus. These elements combine with Tupac's lyrics to form not only a tribute song to her mother, but also a song that she should be proud of and be able to listen to comfortably. Both introductions open with delicate harmonic tones with an almost ghostly resonance that fades from the background, as a digital organ plays a simple rhythmic melody. A spoken introduction from Tupac's mother comes over the top. She talks about being pregnant in a detention center and being released right before Tupac was born. We hear some hints of rhythm via reverbed shots as she finishes her monologue, the melody crescendoing as Tupac enters with the lyrics. A bright cymbal crash brings the rhythm consisting of not only the shots, but also the trip cymbal, snare and bass in a trendy style. Accent pattern 2-4 with an eighth observation sample on the cymbals. The beat is barely swayed as it hangs near the return of the beat, however, it seems very tight on the beat compared to the sense of syncopation and delay of Tupac's backbeat. At 23 seconds the introduction of a guitar into the melodic layers with a very blues/funk tone. This is an allusion to the "Sadie" music which is not only sampled in this track but is also in many ways the model for this track. piece. The guitar takes over as the melody slowly builds. At about forty-three seconds in, the beat stops as Tupac comes to a poignant moment in the lyrics with "It used to be hell/hugs to my mama from a reformatory cell", then at forty- five seconds, the rhythm comes back with a snap and drops. again in its familiar rhythm. This continues until about 1:20 when we enter the chorus for the first time and we are added to the story singers who sound like they are electronically tuned to reprise Concord's lines when a lone singer comes in . tops with the melody line and sings the chorus as Tupac occasionally enters with spoken rhythmic interjections. At 1:38 we move into the second verse after a break in the beat with a slight decrescendo across the board. This is accentuated by the removal of the guitar vocals and a return to the soundscape we observed ourselves in at the start of the first verse. The guitar vocals return around 1:48 and rise to the forefront as the predominant melodic vocals. At 2:42 the rhythm stops once again as we reach the end of the 2nd verse and returns as we transition to the familiar backing vocalists and singers in the chorus. At 4:00, as we approach the final chorus, the beat becomes extremely extra. distinguished because it occupies almost the intermediate stage. We can finally hear the background singers in full, as we hear their voice fluctuations naturally, instead of the electronic sampling we heard previously. The layers take turns on the main level, then fade away and occasionally disappear completely as we repeat the chorus countless times and the melody disappears. Tupac's experience of the classic "black" song in this tribute to his mother is more than evident with his strategy and.