The play “The Good Wife of Setzuan” by Bertolt Brecht is an epic work of theater and revolves around the life of the protagonist Shen Te, which consists of marked elements of facade and survival in society and gender norms. The play aims to give a clear description of contemporary morality and altruism in social and economic terms: Shen Te is constantly at war with Shui Ta's capitalist profit consciousness and highlights the capitalist economy that determines morality of a company. Say no to plagiarism. Get a tailor-made essay on "Why violent video games should not be banned"? Get the original essay The protagonist Shen Te tries to live a "good" life, in accordance with the terms of morality constructed by the famous, to which The inhabitants of Setzuan do not give him any respect without allowing themselves to be mistreated. She strives to fit into the male-dominated society where a working businesswoman is not accepted by society. Shen Te is a kind and charitable woman who cannot say "no" to anyone and, interestingly, she is the only person on earth who meets the condition of a "good" human being. On the other hand, Shui Ta is harsh in his approach and strict when it comes to making decisions. He really doesn't care about people and circumstances and his main concern is making profits. Shen Te is forced to accept her double self by assuming the negative character traits of her cousin Shui Ta. Shen Te is unable to fulfill her commitments and is overwhelmed by the demands placed on her. Shen Te realizes that her generous nature holds her back, even though she refuses and would not agree to her neighbors' requests; his goodness is abused. Shen Te tries to preserve her goodness by helping her neighbors, her lover and above all by protecting her baby from the atrocious world. Reluctantly, Shen Te takes back his double self which is Shui Ta. As a man, Shui Ta is obeyed by everyone and no one tries to take undue advantage of him. As a businesswoman, she must know how to make profits in her business but as a lover, she surrenders to Yang Sun. She even went to marry Yang Sun even when he makes fun of Shen Te in front of Shui Ta. Shen Te realizes that she must be strong enough to guarantee her child's happiness. Brecht shows that even if you are a good person, the environment forces you to inherit bad attributes. The mental conflicts related to the role of a secondary character can be echoed in the melody that Shen Te sings in scene 4a. She is seen walking around with the cover of Shui Ta and singing that “the great cannot protect themselves and that indeed divine beings are defenseless”. And after that fair, on the cover of Shui Ta, she conceded that "you can somehow offer help to one of your cursed brothers by trampling on a dozen others." It seems that Shen Te is gradually learning cruel substances despite having to remain kind and gentle. The mental conflicts related to the role of a secondary character can be echoed in the melody that Shen Te sings in scene 4a. It is called while walking around with the cover of Shui Ta and singing that "the good ones cannot defend themselves and that even the gods are defenseless". And after this fair, while on the cover of Shui Ta, she conceded that "you can only help one of your unlucky brothers by trampling on a dozen others." This shows that Shen Te realizes the harsh realities of the world even though she wants to maintain her goodness. Shen Te's goodness gets the better of her. At the beginning of the play, the tobacco shop does not even begin to make money when She Te is overpowered by her neighbors. His submissive nature and.